![]() ![]() ![]() “I’d do thumbnails on comic sized paper, with all the dialogue, then move to pencils. “ This one I felt strong had to be pen on paper, except for the lettering – I’m not a masochist!” That prompted a burst of laughter from the audience. “Digital or Paper?” was another question. “But sometimes,” he continued, “you just want to have control.” “There’s a push-pull but working with someone can show you things you hadn’t thought of, can surprise you and lead to a stronger work.” ![]() ![]() “You have complete control and therefore can show the reader that every expression, every hair on their head is purposeful.” “So he just needed a good colourist?” quipped the host to much laughter. But then in my thirties I went to Italy and I saw Michelangelo’s pen and ink work and was blown away.” In art school I didn’t see the value in the Old Masters – or rather I didn’t see their relevance for today’s audiences. As artists we have to go back and evaluate the things that we’ve previously rejected. In this work I’ve explored lines much more. When asked about how his style has changed, Cho said, “I hope so, that it’s evolved. Single in the City – microwave food and a cat. ![]()
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